Michele Soavi
1957 (67 лет)Michele Soavi, sometimes known as Michael Soavi (born 3 July 1957) is an Italian filmmaker, actor, and screenwriter best known for his work in the horror film genre, working alongside directors like Dario Argento and Lucio Fulci.
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Paura: Lucio Fulci Remembered - Volume 1
Mike Baronas
Claudio Aliotti, Adelaide Aste
This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.
Paura: Lucio Fulci Remembered - Volume 1
Uno bianca
Michele Soavi
Kim Rossi Stuart, Dino Abbrescia
Rimini, 1991. For more than a year, the uno bianca gang - they always use a white Fiat Uno - has plagued the area. Their crimes are violent, sometimes killing carabineri, and there's no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?
Uno bianca
Rocco Chinnici - È così lieve il tuo bacio sulla fronte
Michele Soavi
Sergio Castellitto, Cristiana Dell'Anna
The last years of Italian judge Rocco Chinnici—who was instrumental in the battle against Cosa Nostra, laying the basis for the famous Antimafia Pool—before his assassination, as seen through the eyes of his daughter Caterina.
Rocco Chinnici - È così lieve il tuo bacio sulla fronte
Cemetery Man
Michele Soavi
Rupert Everett, François Hadji-Lazaro
A cemetery man has the unusual problem of the dead rising from the grave. Himself and his assistant must end these creatures' lives again after they are reborn. Everything is going well until "She" comes along and stirs things up a bit.
Cemetery Man
The Goodbye Kiss
Michele Soavi
Alessio Boni, Michele Placido
Leftist radical-turned-terrorist Giorgio—who fled to Latin America in the '70s to escape justice—decides to surrender after hearing about the fall of the Berlin Wall. Determined to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a shady police chief, getting his sentence reduced in exchange for ratting out former comrades. Once released, Giorgio obsessively pursues his dream of becoming a "respectable" citizen, even if the way is paved with larceny, pimping, drug-dealing, rape, heist, and murder...
The Goodbye Kiss
Inferno Rosso. Joe D'Amato sulla via dell'eccesso
Massimiliano Zanin, Manlio Gomarasca
Joe D'Amato, Aristide Massaccesi
Who was Joe D’amato- Aristide Massaccesi under his civil status? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Inferno Rosso: Joe D'Amato on the Road of Excess
