George Beranger
1893 - 1973George Beranger (27 March 1893 – 8 March 1973), also known as André Beranger, was an Australian actor and Hollywood and stage director.
Beranger began playing Shakespearean roles at the age of sixteen with the Walter Bentley Players. He then emigrated from Australia to California, United States in 1912 and worked in the silent film industry in Hollywood. According to a researcher, he "reinvented himself in Hollywood, claiming French parentage, birth on a French ocean liner off the coast of Australia and a Paris education." Beranger worked under the names George Alexandre Beranger and André de Beranger.
By the 1920s, Beranger had become a star, appearing in the movies of Ernst Lubitsch and D. W. Griffith. He also directed ten films between 1914 and 1924. Beranger owned a large Spanish-style home in Laguna Beach, rented a room at the Hollywood Athletic Club and owned an apartment in Paris, France.
Beranger eventually appeared in more than 140 films between 1913 and 1950. Beranger's career dissipated following the 1930s Great Depression and the advent of sound film, and his roles in later films were small and often uncredited. He supplemented his income as a draftsman for the Los Angeles City Council. He sold his large properties and moved into a modest cottage beside his house in Laguna Beach.
He entered into a "lavender marriage" with a neighbouring widow, but they never shared the same house and he continued his gay lifestyle unabated.
Beranger retired in 1952 and lived his later years in seclusion. He was found dead of natural causes in his home on 8 March 1973.
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The Man in Blue
Edward Laemmle
Herbert Rawlinson, Madge Bellamy
Tom Conlin, an Irish cop walking a beat in an Italian neighborhood, falls in love with Tita Sartori, the daughter of a florist. Tita returns Tom's affection but keeps him at a distance, believing him to be married; However she is also wooed by an unscrupulous politician of considerable wealth.....
The Man in Blue
Intolerance: Love's Struggle Throughout the Ages
D. W. Griffith
Lillian Gish, Mae Marsh
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.
Intolerance: Love's Struggle Throughout the Ages
So This Is Paris
Ernst Lubitsch
Monte Blue, Patsy Ruth Miller
Paul and Suzanne Giraud are happily married and living in a quiet neighborhood. When Suzanne notices that their new neighbors are expressive dancers in revealing outfits, she demands Paul speak to them about their lack of morality. Paul discovers that the woman is Georgette Lalle, an old flame.
So This Is Paris
Bullets or Ballots
William Keighley
Edward G. Robinson, Joan Blondell
After Police Captain Dan McLaren becomes police commissioner, former detective Johnny Blake publicly punches him, convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. "Bugs" Fenner, meanwhile, is certain that Blake is a police agent.
Bullets or Ballots
Strange Cargo
Arthur Gregor, Benjamin Glazer
Lee Patrick, June Nash
On board a yacht sailing from India to Britain, the owner of the vessel is murdered by one of the passengers. (This film was produced both in full sound and silent versions, the latter for theaters that had not yet been wired for sound.)
Strange Cargo
The Grand Duchess and the Waiter
Malcolm St. Clair
Adolphe Menjou, Florence Vidor
Albert Durant, a young millionaire, poses as a waiter in order to woo an exiled and financially hard up Grand Duchess. She finds him impertinent and clumsy, but also quite fascinating. She takes him into her employ insisting he does everything she asks.
The Grand Duchess and the Waiter
Annabelle's Affairs
Alfred L. Werker
Victor McLaglen, Jeanette MacDonald
After only 11 hours of marriage, Annabelle and her husband separate-not knowing what each other truly looks like. Annabelle is given stocks by her husband and told not to part with them. However she is an extravagant spender and is forced to give the stocks to her husband's millionaire rival.....
Annabelle's Affairs
The Half-Breed
Allan Dwan
Douglas Fairbanks, Alma Rubens
In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.
The Half-Breed
The Extra Girl
F. Richard Jones
Mabel Normand, Ralph Graves
Sue Graham is a small town girl who wants to be a motion picture star. She wins a contract when a picture of a very pretty girl is sent to a studio instead of her picture. When she arrives in Hollywood, the mistake is discovered and she starts working in the props department of the studio instead. Her parents then come out to California and invest some money with a very shifty individual.
The Extra Girl
