Jane Winton
1905 - 1959Jane Winton (October 10, 1905 - September 22, 1959) was a movie actress, dancer, opera soprano, writer, and painter. She was born in Philadelphia, Pennsylvania.
During the 1920s she began her stage career as a dancer with the Ziegfeld Follies.
After coming to the west coast Winton became known as the green-eyed goddess of Hollywood. Her film appearances include roles in Tomorrow's Love (1925), Why Girls Go Back Home (1926), Sunrise, The Crystal Cup and The Fair Coed (1927), Burning Daylight, Melody of Love and The Patsy (1928), Scandal and Show Girl in Hollywood (1929), and The Furies and Hell's Angels (1930).
Winton played Donna Isobel, the mother of the title character, in Don Juan (1926). The film starred John Barrymore and Mary Astor. The movie was billed as the first film made in Vitaphone, a new invention which synchronized sound with motion pictures. Modern talking pictures began with the Vitaphone.
After leaving Hollywood, Winton performed various operatic roles both in the United States and abroad. In 1933 she was with the National Grand Opera Company for their production of I Pagliacci. She sang Nedda. She starred in the operetta Caviar. In England she became noted for her singing and work in radio.
Jane Winton died in 1959 at the Pierre Hotel in New York City.
The Patsy
King Vidor
Marion Davies, Orville Caldwell
Jealous that her older sister Grace has landed handsome and successful Tony Anderson, Patricia Harrington launches an elaborate charm offensive to win his heart. Patricia shrugs off her diffidence and, in the hope that Tony will be drawn to her new persona, tries to carry herself with the self-confidence of the era's silent film stars. When this doesn't have the desired effect, Patricia takes things a step further.
The Patsy
Bare Knees
Erle C. Kenton
Virginia Lee Corbin, Donald Keith
A young married woman in a small town is visited by her sister, a single "flapper" who causes a scandal in town with her bobbed hair and short skirts. She attracts the attentions of some of the local men, which causes an even greater scandal--which is made worse when her sister abruptly leaves her boorish husband for another man.
Bare Knees
Don Juan
Alan Crosland
John Barrymore, Jane Winton
If there was one thing that Don Juan de Marana learned from his father Don Jose, it was that women gave you three things - life, disillusionment and death. In his father's case it was his wife, Donna Isobel, and Donna Elvira who supplied the latter. Don Juan settled in Rome after attending the University of Pisa. Rome was run by the tyrannical Borgia family consisting of Caesar, Lucrezia and the Count Donati. Juan has his way with and was pursued by many women, but it is the one that he could not have that haunts him. It will be for her that he suffers the wrath of Borgia for ignoring Lucrezia and then killing Count Donati in a duel. For Adriana, they will both be condemned to death in the prison on the river Tigre.
Don Juan
Burning Daylight
Charles Brabin
Milton Sills, Doris Kenyon
Elam "Burning Daylight" Harnish is a prospector who makes a million dollars in the Dawson, Alaska gold rush and loses the million dollars in Dawson. He journeys to San Francisco, makes three million dollars and loses it in San Francisco. He returns to Alaska and eventually finds his treasure.
Burning Daylight
The Bridge of San Luis Rey
Charles Brabin
Lili Damita, Ernest Torrence
This first cinematic version of the classic book is a part-talkie, although the only surviving print is silent (housed in the George Eastman House, Rochester, NY). It is a straight-forward telling of the intermingled lives of a group of strangers doomed to die in a collapsing bridge accident. The Art Direction, paltry and unremarkable, surprisingly won an Oscar over the far more remarkable work nominated in THE IRON MASK. The special effect scene of the lovers plummeting with the bridge into the chasm is unforgettable and remarkably done.
The Bridge of San Luis Rey
The Yellow Lily
Alexander Korda
Billie Dove, Clive Brook
Archduke Alexander (Clive Brook) is better known for his sexual conquests than his diplomatic triumphs. After a lifetime of loving 'em and leaving 'em, the Archduke finally meets a girl he can't leave, Hungarian lass Judith Peredy (Billie Dove). She resists his advances but can't hide the fact that she's in love with him. The Yellow Lily was the second of four cinematic collaborations between star Billie Dove and director Alexander Korda.
The Yellow Lily
Across the Pacific
Roy Del Ruth
Monte Blue, Jane Winton
Following the Spanish-American War, a soldier is given the assignment of finding the leader of a band of rebels in the Philippines. In order to do this, he must romance Roma, a cabaret spy working for the rebels. This does not please the daughter of his commanding officer, whom he is romancing.
Across the Pacific
Footloose Widows
Roy Del Ruth
Louise Fazenda, Jacqueline Logan
Department-store models Flo and Marian set their sights on wealthy young soft-drink magnate J. A. Smith. Through a misunderstanding, they pick on the wrong J. A. Smith, a fortune hunter himself who assumes that Marian is a wealthy widow. Meanwhile, Marian falls for the real Smith, never dreaming that he's the millionaire.
Footloose Widows
The Furies
Alan Crosland
Lois Wilson, H.B. Warner
Fifi Sands, whose husband is constantly unfaithful, is prevented from obtaining a divorce by Bedlow, her husband's lawyer. At a dinner party given by Smith, a columnist, she announces that her husband has at last granted her freedom; but Owen McDonald, her childhood sweetheart, whom she still loves, is disappointed to learn that she is not asking for alimony or a settlement. When her young son, Alan, announces that his father has been murdered, he accuses his mother of trying to shield McDonald, whom he suspects of the crime. Fifi goes to Bedlow for aid, and learning that she no longer loves McDonald, he agrees to help; but Bedlow locks her in the apartment, then confesses his love for her and admits to the murder of her husband. Dr. Cummings and Alan come to her aid; and returning to the drawing room, they find that Bedlow has leaped to his death. Fifi finds happiness at last with the doctor.
The Furies
