Daniel Cockburn

Sculpting Memory

Daniel Cockburn

Atom Egoyan

Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images.

The National Parks Project

Stéphane Lafleur, Sturla Gunnarsson

In an increasingly urban nation, Canada’s national parks are a treasured escape into extraordinary beauty and rugged wilderness. If the Group of Seven were an introduction to the landscape’s majesty, National Parks Project is the next logical chapter. Fifty-two contemporary artists from across the country, whose talents are as diverse as the parks they set out to explore, used their surroundings as a source of inspiration to blend musical and cinematic skills into collaboratively crafted vignettes. Epic in its ambition to celebrate these locales during Parks Canada’s centennial year, this omnibus film resonates with the knowledge that our unprotected land is more vulnerable than ever. Including films by Zacharius Kunuk, Peter Lynch, Sturla Gunnarsson and John Walker, and music by Sarah Harmer, Sam Roberts, Cadence Weapon and The Besnard Lakes, among many others, National Parks Project is a one-of-a-kind documentary experience.

You Are Here

Daniel Cockburn

Tracy Wright, R. D. Reid

Several story threads about consciousness and perception intertwine in this film by video installation artist Daniel Cockburn.

The Argument (with annotations)

Daniel Cockburn

Clare Coulter

What begins as an enquiry on things that mean other things itself becomes a thing that means other things, too. And whatever exactly that thing is, the latest by one of Canada’s most ingenious auteurs is another astounding feat of cerebral and cinephilic dexterity.

God's Nightmares

Daniel Cockburn, Daniel Cockburn

In the latest of his idiosyncratic blends of found-film hallucination and metaphysical comedy routine, director Daniel Cockburn imagines the thoughts that rattle through the Almighty’s head late at night, presuming that He has a head at all.

All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)

Daniel Cockburn, Daniel Cockburn

Daniel Cockburn

Daniel Cockburn’s exuberantly cerebral, filmically deconstructionist work defies easy categorization, and this program of new work is no exception, from a short that interrogates “things that mean other things before becoming a thing that means other things in itself,” and a performance piece that juxtaposes two postmodern 1994 horror films, John Carpenter’s In the Mouth of Madness and Wes Craven’s New Nightmare to explore both the redemptive and destructive powers of storytelling.