Neville D'Almeida
2021Some of his transgressive, avant-garde films were censored or banned by the Brazilian military dictatorship, after which he went on to directing films aimed to a more commercial approach. His 1978 film "Lady on the Bus", starring Sônia Braga, was a box-office champíon and still holds its place as the the third highest-grossing Brazilian film of all time.
Música para Sempre
Neville D'Almeida, Dudi Gupper
Hermeto Pascoal, Chick Corea
The picture brings interviews with the participants of the 1st São Paulo Jazz Festival that occurred in Anhembi Conventions Palace in September 1978 and reunited musicians, composers and singers from all around the world.
Música para Sempre
Cosmococa
Hélio Oiticica, Neville D'Almeida
Neville D'Almeida, Hélio Oiticica
In 1973, exiles from Brazil during the military dictatorship, artist Hélio Oiticica and filmmaker Neville D’Almeida lock themselves in an apartment in Manhattan and fantasize a series of iconic sensory installations called quasi-cinema - experience blocks in Cosmococas. The work features slide projections on the walls of the rooms, showing drawing sessions carried out by the artists, using cocaine for doodling and a pocket knife as a brush.
Cosmococa
Candango: Memórias do Festival
Lino Meireles
Carlos Diegues, Milton Gonçalves
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Candango: Memoirs from a Festival
Neville D'Almeida: Cronista da Beleza e do Caos
Mario Abbade
Neville D'Almeida, Regina Casé
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Neville D'Almeida: Chronicler of Beauty and Chaos
Glauber Rocha - The Movie, Brazil's Labyrinth
Silvio Tendler
Glauber Rocha, Orlando Senna
Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.
Glauber Rocha - The Movie, Brazil's Labyrinth
Mangue-Bangue
Neville D'Almeida
Maria Gladys, Paulo Villaça
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Mangue-Bangue
O Bandido da Luz Vermelha
Rogério Sganzerla
Paulo Villaça, Helena Ignez
Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.
The Red Light Bandit
Jardim de Guerra
Neville D'Almeida
Joel Barcellos, Maria do Rosário
Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the military government.
Garden of War
Pitanga
Camila Pitanga, Beto Brant
Antônio Pitanga, Camila Pitanga
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
Pitanga
Sem Essa, Aranha
Rogério Sganzerla
Jorge Loredo, Helena Ignez
Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.
Sem Essa, Aranha
O Anjo Nasceu
Júlio Bressane
Norma Bengell, Hugo Carvana
Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.
The Angel Was Born
Noite
Gilberto Loureiro
Cristina Aché, Otávio Augusto
Night falls when, in an elegant neighborhood of Porto Alegre, a socialite is brutally murdered. The entire police department act immediately to identify and arrest the killer. A man in his 30s wanders down a large avenue. He wears fine clothes, he walks elegantly. His broken watch reads 18:47. The man searches his pockets for documents he cannot find. Neither he can recognize himself in the objects he carries: a wallet full of bills, a theater entrance ticket, a bloodstained handkerchief. Crossing pedestrians for whom that night will be like any other, he seeks to recover his memory and identity.
Noite
