Jean Mascolo
2021La Caverne noire
Jérôme Beaujour, Jean Mascolo
Marguerite Duras
In this interview with Dominique Noguez, Marguerite Duras talks successively about each of her four short films made in 1979: Césarée, Les Mains négatives, Aurélia Steiner (Melbourne), Aurélia Steiner (Vancouver). She touches briefly on the various subjects dealt with: the return to Césarée of Berenice, repudiated for reasons of state, Jewish wandering, the scandal of the camps in the two Aurelia Steiner. Negative Hands as the colonial data of humanity, a film offered to the blacks and Portuguese who clean up Paris before leaving the place. Marguerite Duras also comments, with excerpts, on the various traveling shots that make up the main plot of each of the short films. And the documentary ends with a few words of epilogue: a real pamphlet by Marguerite Duras against dreams, significantly entitled Work and Words.
Work and Words
Fun and Games for Everyone
Serge Bard
Caroline de Bendern, Amanda Lear
“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarized image reminiscent of thick strokes of a paintbrush.” - Philippe Azoury
Fun and Games for Everyone
La couleur des mots
Jérôme Beaujour, Jean Mascolo
Marguerite Duras, Dominique Noguez
This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.
The Colour of Words
