Fernando Teixeira

Incursão

Silvio Toledo, Eduardo P. Moreira

Fábio Campos, Cláudia Lira

O Desejo do Morto

Ramon Porto Mota

Fernando Teixeira, Tavinho Teixeira

“Old age isn’t a battle, old age is a massacre.”

Rebento

André Morais

Ingrid Trigueiro, Zezita Matos

After committing a crime, the woman leaves her home and family in search of an unknown destination. It is not known who she is, nor the reason for the crime. The mystery about this woman is one of the key points of the narrative. Throughout history she will be called Maria, Rosa and Ana, perhaps one of them will be her real name, perhaps none. She will walk for a whole day, hugging a watermelon and will have brief encounters that will mark her day and her life, facing a world that is sometimes hostile and sometimes delicate, in an attempt to live with the love and disaffection that she brings in her. .

Aquarius

Kleber Mendonça Filho

Sônia Braga, Maeve Jinkings

Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.

Deserto

Guilherme Weber

Lima Duarte, Cida Moreira

A small group of artists travels the Brazilian backlands presenting a show. Upon arriving in a small village, they find an abandoned city with houses, a church, and a fountain spouting clean water, like a miracle of a biblical desert. Tired of and battered by their life as wanderers, the artists decide to settle in the village and start a new community, assigning themselves different roles from those they have played throughout their lives. This new arrangement, however, will reveal these artists the worst vices of the civilian life.

Curral

Marcelo Brennand

Thomas Aquino, José Dumont

Curral is a political drama set in the rural Brazilian city of Gravatá. During the mayoral elections, the population is divided between the Blue and Red parties, two political oligarchies fighting each other for power. A recent severe drought means water is the main bargaining chip when it comes to securing a majority of people's votes. Chico Caixa is a former city employee. He lost his job trying to take water supplies to a poor neighborhood which had been abandoned for political reasons. Caixa is invited by a childhood partner, Joel, to work on his councilor campaign. Joel presents himself as a new alternative to the older candidates, who have been in power for decades. But as the campaign progresses, Chico Caixa soon realizes that breaking apart from the established political game is not always as easy as it may seem

King Kong en Asunción

Camilo Cavalcante

Andrade Jr., Lucrecia Carrillo

An old hired killer is hiding in the interior of Bolivia, in the desert region of the Salar de Uyuni. You just committed your last murder. After months in isolation, he travels to the interior of Paraguay where he receives a good reward and heads to Asunción with the aim of meeting his daughter.

A Ética das Hienas

Rodolpho De Barros

Marcélia Cartaxo, Fernando Teixeira

A fraud in a labor cause is discovered, but nothing like a good deal in Brazil. With Justice, with the market, with everything.

O Hóspede

Ramon Porto Mota, Anacã Agra

Fernando Teixeira, Soia Lira

In a hostel in the interior of Brazil, a strange guest and a mysterious incident leave the landlord restless and obsessed with finding out who that man is and what he is doing there.

Ainda Temos a Imensidão da Noite

Gustavo Galvão

Ayla Gresta, Gustavo Halfeld

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Baixio das Bestas

Cláudio Assis

Mariah Teixeira, Marcélia Cartaxo

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

Bog of Beasts

Cláudio Assis

Fernando Teixeira, Caio Blat

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

O Nó do Diabo

Ramon Porto Mota, Gabriel Martins

Zezé Motta, Everaldo Pontes

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

A Noite Amarela

Ramon Porto Mota

Ana Rita Gurgel, Clara Pinheiro de Oliveira

A group of friends travels to a beach house on an island on the brazilian seaside to celebrate the end of high school, a place virtually no one else inhabits and which is almost always dark. However, their drollery and parties are cut short by the feeling that the place shelters an unfathomable horror.

O sinaleiro

Daniel Augusto

Fernando Teixeira

A railroad signalman is haunted by a series of otherworldly events in this adaptation of a Charles Dickens short story. Are they truly ghostly manifestations, or the signalman's psychological response to his isolation and repetitive work?

Toada para José Siqueira

Rodrigo T. Marques, Eduardo Consonni

Fernando Teixeira

A feature documentary on the life and work of Brazilian conductor, teacher, musicologist and composer José Siqueira. Founder of some of the most important Brazilian orchestras, including the Brazilian Symphonic Orchestra, Siqueira was part of the 3rd. nationalist generation of Brazilian composers who used folklore as a source of inspiration and emphasized their northeastern roots in their work. An artist and leader of the musical class who showed the world the strength and diversity of Brazilian culture and who remains unknown in his own country after having his history erased by the Brazilian military dictatorship.