Dinara Asanova
1942 - 1985Asanova’s movies were known for their perceptive treatment of contemporary issues and social problems, such as generational gaps and adolescent life during the time in which she was active. She often chose to include both professional actors and non-actors in order to facilitate a more realistic feeling in the interactions and films in general. She remains largely unknown in Western countries but had great success in the Soviet Union.
Klyuch bez Prava Peredachi
Dinara Asanova
Lidiya Fedoseyeva-Shukshina, Zinoviy Gerdt
AKirill Sergeyevich, a retired Army officer, becomes the new school Headmaster. Used to a strict and orderly routine, he at first finds the chaotic bustle of everyday school life hard... It is not easy to deal with both the children and the teachers, especially with the students' favorite Marina Maximovna who teaches Literature. Well then, wasn't Marina surprised to discover the "martinet" Nazarov to be a perceptive and tactful person and an experienced tutor.
The Key That Should Not Be Handed On
Жена ушла
Dinara Asanova
Valeriy Priyomykhov, Yelena Solovey
He considered his family life perfect. Normal, and sometimes big wages quite satisfied a beautiful and gentle wife. The child didn't cause much trouble. All that was needed for his happiness was available. But the wife is gone. She left not to another, but left, so as not to be unhappy.
The Wife Has Left
Dear, Dearest, Beloved, Unique...
Dinara Asanova
Olga Mashnaya, Valeriy Priyomykhov
Vadim, a part-time dump truck driver in Leningrad, picks up an extremely young woman, along with a newborn baby. Vadim is forced to spend the rest of his day with Anna, helping her untangle herself from unpleasant, dramatic, and even tragic situations – and she and she alone is to blame for all of them. The baby, which Anna stole in order to make an impression on an estranged lover, is finally returned to its parents, but the problems that the theft caused remain.
Dear, Dearest, Beloved, Unique...
