Nikolay Kochegarov
1953 - 2003
The Interviewer
Yuri Marukhin
Aristarkh Livanov, Andrey Myagkov
While working in Afghanistan, Soviet journalist Aleksei Rusanov witnesses the spread of a strange disease. He manages to find out that the carriers of the dangerous virus are mosquitoes of a previously unknown species. Aleksei goes to Sindabad and penetrates the secret laboratory of Professor Neli, whose work on the elimination of deadly insects is funded by the CIA...
The Interviewer
We're from Jazz
Karen Shakhnazarov
Igor Sklyar, Aleksandr Pankratov-Chyornyy
A music student is expeled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.
We're from Jazz
Uznik Zamka If
Georgi Yungvald-Khilkevich
Viktor Avilov, Evgeniy Dvorzhetskiy
A Russian version of the classic Alexandre Dumas novel. Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him
The Prisoner of If Castle
The Lonely Voice of Man
Aleksandr Sokurov
Tatyana Goryacheva, Andrey Gradov
Set in the early 1920s after the end of the Russian Civil War, Red Army soldier Nikita returns to his hometown to see his partner Lyuba, both of whom are scarred by the trauma of the Russian Empire of yesteryear.
The Lonely Voice of Man
The Precipice
Vladimir Vengerov
Georgiy Antonov, Yelena Finogeyeva
Boris Pavlovich Raisky, a bored Petersburg aesthet, comes to his family estate in a small town on the Volga. He hoped to find boredom and the faint-hearted provincials there, and did not expect that in the outback he was waiting for real life, dramatic love and serious passions. Boris Raisky’s estate is a blessed corner where everything pleases the eye: a native old house, tender greenery of birches and lindens, a silver strip of the Volga in the distance. And only a mysterious precipice at the end of the garden frightens the inhabitants of the estate. According to legend, at the bottom of it in ancient times, a jealous husband killed his wife and rival. “Precipice” is a symbolic word in the fate of the main character Vera. It fell to her to fall in love with a nihilist and a cynic who preaches "love for a term", painfully choose between feeling and duty, finally, go down to her beloved person in a cliff, cut off everything that connected with her former life...
The Precipice
Кровь за кровь
Yuri Kolcheyev
Aleksandr Fatyushin, Irina Alfyorova
Сюжет фильма основан на реальном уголовном деле, когда несколько лет назад шайка преступников убивала видных военачальников с целью кражи их боевых наград. Совершено убийство отставного генерала Гриднева, а его квартира ограблена. Майор милиции Таганцев выходит на наводчиков бандитов. Но вору-рецидивисту по кличке Валек удается переиграть сыщика. Группе Таганцева придётся основательно потрудиться, чтобы поймать рецидивиста в городе у моря Ялте...
Кровь за кровь
Задача с тремя неизвестными
Boris Shadurski
Leonhard Merzin, Vladimir Gerasimov
Criminal investigation is investigating the case of robbery of the factory cashier. At the checkpoint of the factory of precision mechanics and optics, two criminals attack the cashier. Criminals manage to escape by the car, waiting for them around the corner. At the scene of the crime, criminal investigation officers arrive Major Dorokhov and Lieutenant Matushkin. They interview witnesses, but they did not remember properly any attackers or machine numbers, but noticed that one prevented the other from firing.
Exercise with three unknowns
Как живёте, караси?
Sofia Milkina, Michael Schweitzer
Nikolay Pastukhov, Valeriy Zolotukhin
Отставной полковник КГБ, собрав на своей даче картотеку людей, сотрудничавших в прежние годы с Комитетом, снова вызывает их, перестроившихся, к себе и заставляет выполнять определенные поручения. Но и на него находятся акулы покрупнее — представители мафии, догадавшиеся, какой куш можно теперь содрать с бывших «карасей». Впрочем, один из них, мечтающий покончить с архивом, несколько нарушит планы вышеназванных персонажей...
How Is It Going, Crucians?
Семья вурдалаков
Gennadiy Klimov, Igor Shavlak
Igor Shavlak, Elena Karadzhova
A newspaper sends a young reporter into the Russian countryside to make a nice, sensationalist yarn out of some strange stories going around. Once in the countryside, Igor is accommodated by a peasant family living in the middle of nowhere close to a ruined church. The family is convinced that their dead patriarch will return from the dead as a blood-drinking fiend exactly nine and a half days after his demise.
The Vampire Family
Берегите мужчин!
Aleksandr Sery
Nina Ruslanova, Leonid Kuravlyov
She is a business, courageous and energetic woman. He is spineless, awkward and also not amenable to “correction.” It goes to divorce. Moreover, an ardent admirer of her beauty suddenly appears on the horizon. However, this circumstance, ultimately, leads to an unexpected result...
Take Care of the Men!
Феофания, рисующая смерть
Vladimir Alenikov
George Segal, Tamara Tana
In Middle-Age Russia, a christian preacher arrives, proposing a new order. He threatens those who take part in a pagan festival with the flames of hell. But when strange crimes start to happen, local leaders decide to investigate.
Time of Darkness
Точка отсчета
Viktor Turov
Nikolay Kochegarov, Valeriy Poletayev
Бывший хулиган, от природы наделенный прекрасными физическими данными, стал безоговорочным лидером среди призывников. Очень скоро он добился звания младшего сержанта, и ему доверили отделение. Но когда наступили боевые учения, блатной лидер оказался беспомощным и бесполезным в достижении общей цели.
Точка отсчета
