Wladyslaw Starewicz
2021Fétiche
Irene Starewicz, Wladyslaw Starewicz
A toy stuffed dog has just been sewn together when it hears a young child ask for an orange. The child's mother explains that they have no money, and so she cannot buy any oranges. The dog is then packed up along with a box full of other toys to be sold, but it soon winds up in the street. The dog picks up an orange from a curb side stand, and hopes to take it home to the child. But that night, before the dog can get back to the child's home, it must face a series of strange and frightening adventures.
The Mascot
Месть кинематографического оператора
Wladyslaw Starewicz
A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars a cast of animated beetles.
The Cameraman's Revenge
Le Roman de Renard
Irene Starewicz, Wladyslaw Starewicz
Romain Bouquet, Sylvain Itkine
In the kingdom of animals, Master Fox is used to trick and fool everyone. So the King, the Lion, receives more and more complaints about him. He orders that Master Fox is arrested and brought to him.
The Tale of the Fox
La voix du rossignol
Wladyslaw Starewicz
Nina Star
A partly-animated short film, a fairy-tale-like telling of why the nightingale only sings at night. A young girl who has caught a nightingale dreams about the songbird and its mate, and comes to realize that birds are not meant to be captive.
The Nightingale's Voice
Les grenouilles qui demandent un roi
Wladyslaw Starewicz
The frogs have a democracy, but they beseech Jupiter to send them a king. Jupiter can hardly believe this amphibian foolishness, so he sends them a tree as king. The frogs make obeisance to their new monarch, but they are dissatisfied and petition Jupiter again.
The Frogs Who Wanted a King
Paris Cinéma
Jean Mitry, Pierre Chenal
Carmen Boni, Augusto Genina
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
Paris Cinéma