
Lídia Franco
1944 (81 год)Fábula em Veneza
Rui Goulart
Ana Bastos, Cristina Carvalhal
A middle-aged musician speaks of various themes - innocence, friendship, seduction, fascination, love, death - immediately portrayed in paintings, which the actors interpret, in different situations from the character they embody. In the spotlight, a young photographer, a strange-looking dancer / model, a bullfighter who lives his dream, a retired old man ...
Fábula em Veneza
One Foot in the Algarve
Susan Belbin
Richard Wilson, Annette Crosbie
The Meldrews go on holiday to Portugal with Mrs Warboys, who is hoping for romance with her penpal Alfonso. Photographer Martin Trout follows them there, believing they have a roll of film that belongs to him.
One Foot in the Algarve
Crime na Pensão Estrelinha
Fernando Ávila
Herman José, Ana Bola
Neves and his wife Celia are the owners and managers of the 'Little Star Pension', a familiar hotel that caters to bourgeois family and would-be actors, instead of the ill-reputed 'Good-Night Pension' (just across the narrow street), where gigolos, whores, and criminals of all sorts may go for a quick encounter. However, not all is well among the ten residents of 'Little Star Pension': each dialogue line from every hotel guest is evidence that he, or her, has a reason (actually, more than one) to hate Neves - to the point of wishing him dead. Carelessness (or devious intention) by one party will provide the means; another, will create the propitious moment; yet another, and then the rest of them will create the festive New Year's Eve occasion - to do with Neves forever! Obviously, only the famous world private-eye Hércules Pirôt can solve the crime... for which he is called by phone, even before the deed is done.
Crime at the Little Star Pension
The Crime of Aldeia Velha
Manuel Guimarães
Barbara Laage, Rui Gomes
Set in a little remote village, where everyone is very religious and primitive, it tells the story of Joana, the most beautiful girl in village. She is badly regarded by all other women because they envy her and her affairs with men. As soon as accidents start happening involving her (at some point, she holds an already sick baby and he eventually dies), the women (and slowly, men too) in the village start claiming that she is possessed by the devil. At first,she doesn't believe it. They ask for two priests to exorcise her, but they leave and say to the people that she isn't possessed at all, and that people need to relax. But, little by little, they start convincing Joana that she is really possessed and she starts entering a stage of slight madness and behaving like she is. So, people "believing" that she isn't going to die, and that the demon will leave her body, with her permission, they end up burning her alive...
The Crime of Aldeia Velha
O Trigo e o Joio
Manuel Guimarães
Eunice Muñoz, Igrejas Caeiro
A sad and strong people living in the huge plains of Alentejo. Their endless struggle for bread, their nostalgic, bewitching songs and their daily toil to turn a dry, barren land into golden wheat fields.
The Wheat and the Tares
E Não se Pode Exterminá-lo?
Solveig Nordlund, Jorge Silva Melo
Luís Miguel Cintra, Isabel de Castro
The film of a performance of a selection of cabaret comedy sketches by Karl Valentin, with Jorge Silva Melo as stage director. The show was a complete success and has become almost legendary. Solveig Nordlund shot it, adding some more sketches that weren’t included on the show.
E Não se Pode Exterminá-lo?
O Lugar do Morto
António-Pedro Vasconcelos
Ana Zanatti, Pedro Oliveira
A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.
Dead Man's Seat
Quem Espera por Sapatos de Defunto Morre Descalço
João César Monteiro
Luís Miguel Cintra, Antónia Brandão
The tribulations of two friends who, in despair, start begging from door-to-door, and are given a bundle including, literally, a pair of deadman's shoes
He Who Waits for Dead Man Shoes Dies Barefoot
Ruth: A Pérola do Índico
António Pinhão Botelho
Igor Regalla, Josefina Massango
This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.
Ruth
Je m'appelle Bernadette
Jean Sagols
Katia Cuq, Michel Aumont
Between February and July 1858, in the Massabielle cave, the Virgin appeared eighteen times to Bernadette Soubirous, a miserable little girl from Lourdes. A true revolution in the heart of the Second Empire that shakes the established order by his universal message of love and prayer.
My Name Is Bernadette
The Man Who Killed Don Quixote
Terry Gilliam
Adam Driver, Джонатан Прайс
Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.
The Man Who Killed Don Quixote