Shūji Sano
1912 - 1978或る夜ふたたび
Heinosuke Gosho
Nobuko Otowa, Shūji Sano
Poor social conditions badly affect the relationship between a married couple, when the husband, who is desperately searching for work, fails to notice the terrible sacrifices made by his wife when she accepts a job at a local inn.
Twice on a Certain Night
大阪の宿
Heinosuke Gosho
Shūji Sano, Nobuko Otowa
An Inn at Osaka, rarely seen outside Japan, follows the story of an insurance company executive from Tokyo, Mr. Mito, who is demoted to the Osaka office. He takes a room at a small inn and tries to rebuild his life. Notable for its exquisite framing and cinematography, An Inn at Osaka allows its complicated plotlines to disappear behind the minutiae of penury and humiliation that Mito and others suffer during the post-war economic and social reconstruction.
An Inn at Osaka
風の中の牝鶏
Yasujirō Ozu
Kinuyo Tanaka, Shūji Sano
Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.
A Hen in the Wind
Tonkatsu taishô
Yūzō Kawashima
Shūji Sano, Etsuko Miyama
It chronicles the experiences of a neighbourhood doctor, whose taste for tonkatsu (a popular Japanese dish, similar to a pork schnitzel) earns him the nickname ‘the pork cutlet prince’ (‘Tonkatsu Taisho’, the film’s Japanese title) from the affectionate residents of the tenement in which he lives. When a local hospital, run by a female doctor, plans to expand, the future of the tenement is called into question.
Our Chief, Our Doctor
