Celina Murga
1973 (51 год)Celina Murga (born December 1973) is an Argentinian filmmaker, screenwriter, and producer. Celina's prevalence within the cinematic industry benefited heavily from her second directorial project Ana and the Others (2003), the film was so well received, it even compelled a certain iconic filmmaker in to action.[who?] After a screening of Murga's film, American film director Martin Scorsese extended an offer to Murga for her to join him on the set of his current motion picture at the time Shutter Island (2010).However, the invitation for a burgeoning filmmaker to become an assistant within his production is not unprecedented, screenwriter Amy Holden Jones was the first to gain this type of access in 1976, on the set of Scorsese's Taxi Driver.
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Ana y los otros
Celina Murga
Camila Toker, Ignacio Uslenghi
Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.
Ana and the Others
Escuela normal
Celina Murga
Student council elections are about to be held at a school in Parana, Argentina and the two main parties are putting the finishing touches to their campaigns. As they present their positions to the student body, all the elements of political grandstanding are present and correct: quibbling over slogans, circular rhetoric, the benefits of an attractive candidate and the inevitable final mudslinging.
Normal School
Venice 70: Future Reloaded
Franco Maresco, John Akomfrah
Bernardo Bertolucci, Haile Gerima
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Venice 70: Future Reloaded
Una semana solos
Celina Murga
Natalia Gómez Alarcón, Ignacio Giménez
Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.
A Week Alone
