Nedžad Begović

Film mobitelom

Nedžad Begović

Film uses the aesthetics of cell phone cameras, which the director used after he was diagnosed with angina and his doctors recommended fast walking. He has transformed the 3,000 kilometers he walked over three years into a collage of playful, experimental, and lyric moments and family and social situations, all seen with a sense of tenderness and irony.

Sasvim lično

Nedžad Begović

Nedžad Begović, Sabrina Begović-Ćorić

Totally Personal creates a historical document both droll and touching out of Begovic and his family's memories, meditations, and observations. The history begins in the communist era, continues through the war that ravaged the former Yugoslavia and into today's post-war period.

Jasmina

Nedžad Begović

Zijah Sokolović, Nada Đurevska

Asthmatic grandmother named Safa and her six-month baby granddaughter Jasmina, are transferred in a humanitarian convoy from the besieged Sarajevo to a peaceful small city at the Adriatic coast. By a combination of circumstances, their first neighbour is an alcoholic named Stipe. He is constantly causing troubles and making their lives complicated. During one of her asthma attacks, having no other choices, Safa rings Stipe's bell and hands him the baby. Stipe starts to temporarily take care about baby Jasmina. Safa dies at the hospital and now Stipe is left alone with the baby. He's clumsy, even funny. She becomes his only mission in life. He is not ready to give Jasmina away to anyone. He loved her as if his own granddaughter even daughter. Suddenly someone is at the door. Stipe recognises Jasmina's mother. In spite of all his internal struggles, he returns Jasmina to her mother. Stipe stays alone, again.