
Natalia Mateo
1975 (50 лет)Sin respuesta
Miguel Parra
Natalia Mateo
Lola goes through the pressures of the day but she does her job without giving it too much thought. She works as a telemarketing phone operator for a financial institution. From her tiny cubicle she phones those who owe the company money to remind them that when it comes to payment there are no valid excuses. The telephone allows her to keep enough distance...but one day comes to a head when she is left speechless.
Sin respuesta
Qué divertido
Natalia Mateo
Luis Bermejo, Teo Planell
Father and son walk by the surroundings of the village the father used to live. Many things have changed, he, for example. Now he is too "urban" and so is his son. But they just try to enjoy a day at the country.
Qué divertido
(A)Normal
Miguel Parra
Eduardo Ferrés, Rubén Frías
Inside there´s Leo, a lawyer, and Juan, a very short sighted man of fixed ideas. When their paths cross, Juan is getting and argument with Lucio, another member of the gym, about something that nowadays seems to be totally accepted, or perhaps not so much. This conflict, though, doesn´t seem to bother Juan, who is used to rely on fight and tension to win his battles. Still, we all keep our secrets, and for Leo and Juan the moment to remove their mask is finally here.
(AB)Normal
Traumalogía
Daniel Sánchez Arévalo
Antonio de la Torre, Quim Gutiérrez
During the wedding of Antonio, the eldest of a family of five brothers, the father suffers a heart attack. The wedding is interrupted and the whole family moves to the hospital, where throughout a tense night of waiting, all the trauma and misery begin to emerge.
Traumalogy
Ojos que no ven
Natalia Mateo
Asunción Balaguer, Ana Wagener
All families have secrets and lies, and at some point everyone has thought of confessing everything. But when? How? One by one? Suddenly at a family reunion? Today, on Christmas Eve, it doesn't seem to be the best moment. On Christmas Eve you must enjoy yourself, because Santa Claus is coming, because children are there. Tonight, the secrets are whispered and lies are floating in the air. But who cares about another small lie, it will be the last one. Tomorrow, yes, tomorrow we will tell her everything. So, grandma, Merry Christmas.
What the Eye Doesn't See
Ponys
David Planell
Esther Ortega, Marta Aledo
Three friends at a table with a couple of bottles of liquor. One of them introduces the notion of a "pony", an event in your early childhood that is an embarrassment and that marks you for the rest of your life. From then on, revelations about each are made by the other two in an effort to encover such ponys. A more virulent form of the game of telling a secret about yourself.
Ponys
Smoking Club (129 normas)
Alberto Utrera
Rodrigo Poisón, Clara Alvarado
Oscar, a guy in his forties, is passing an existential crisis. He decides to quit his job as a state worker and a relationship with his girlfriend in order to set up a new business: A club for pot enthusiasts. The place is intended to be free of rules, but trouble shows up when those rules begin to be necessary...
Smoking Club (129 normas)