Hari Sama
1967 (58 лет)
Sunka Raku (Alegría Evanescente)
Hari Sama
Roberto Behar, Carolina Calderón
It's a life told in four seasons. It is the orbit of a man who comes close to and steps back from the light, experiencing weather transformations in the garden of the soul. A documentary about the meticulous construction of Japanese tea houses in the Mexican Ajusco, as an excuse to discover a mind that at first glance might seem obsessive and eccentric.
Sunka Raku (Alegría Evanescente)
Despertar el Polvo
Hari Sama
“El Chano” is a homeless man who wanders like a ghost through the streets of eastern Mexico City. Something hurts inside; for some reason has he abandoned himself to such misery. One day he meets an old acquaintance, Rosa, who asks him for a favor: “El Chano” must help her godson, accused by corrupted cops of sexual abuse and murder. He comes out of his lassitude and looks for ways to help the boy, but what can be done that is legal? Corruption, violence and inexorable fate are the main topics of Hari Sama’s third feature film that draws upon the power of sequence shot to tell this story.
Awakening Dust
Esto no es Berlin
Hari Sama
Xabiani Ponce de León, José Antonio Toledano
Seventeen-year-old Carlos doesn't fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground LGBTQ nightlife scene: punk, sexual liberty and drugs.
This Is Not Berlin
El Sueño de Lu
Hari Sama
Úrsula Pruneda, Hari Sama
Lucia must find new meaning in her life in order to move forward after a suicide attempt.Dealing with her grief over the death of her son,she establishes new ties and notices small miracles.An encounter and unexpected journey open up the space for her to understand that she can continue to live and to discover that eternity resides in a single instant.
The Dream of Lu
Sin ton ni Sonia
Hari Sama
Juan Manuel Bernal, Cecilia Suárez
Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"
Without Rhyme or Reason
Así del precipicio
Teresa Suárez
Ana de la Reguera, Ingrid Martz
Three flatmates in Mexico City face uncertainties: Lucía who has a great job as an art director for TV commercials is abusing alcohol and cocaine. She risks losing her job, going to prison for assault, and she's woefully in love with a bullfighter who may be two-timing her. Carmen, an artist without income, can be manic - snorting lots of cocaine and hanging out with a gay man and a transvestite. What's her future? Hanna contemplates divorce from Abraham, a wealthy momma's boy, and she's disoriented by feelings of attraction to Sandra, a customer at her jewelry store. Can any of these poor little rich girls sort things out in a world of excess?
On the Edge
