Susanne Sachße
1965 (61 год)Outer Range
Angélique Bosio
Bruce LaBruce, Glenn Belverio
A rancher fighting for his land and family stumbles upon an unfathomable mystery at the edge of Wyoming’s wilderness, forcing a confrontation with the Unknown in ways both intimate and cosmic in the untamable American West.
Outer Range
Die Unberührbare
Oskar Roehler
Hannelore Elsner, Vadim Glowna
Flanders, a famous female author, travels in 1989 after the fall of the Berlin wall into the German capital. She is deeply depressed by the events because she saw the communist state as a very good thing that has now ended. In the joy of these days she finds no one to understand her, so she has to travel back to Munich. After meeting several people, known and unknown, it seems as if there will be no way to go.
No Place to Go
Der alte Affe Angst
Oskar Roehler
André Hennicke, Marie Bäumer
Oskar Roehler's drama Der Alte Affe Angst (Angst) is about the dissolution of a couple. Robert (Andre Hennicke) and Marie (Marie Baumer) have little in common other than their sex life. Since Robert is going through a bout with impotency, they are having a very rocky time. Robert learns that his father, whom he is estranged from, has died. This disturbs Robert so much that he visits a prostitute, and is able to engage in sex with her. Marie discovers the infidelity, and the prostitute has a surprise of her own. Angst was screened at the 2003 Berlin Film Festival.
Angst
Saturn Returns
Lior Shamriz
Chloe Griffin, Tal Meiri
Lucy, a privileged North American in contemporary Berlin, living a life of post Punk hedonism, roams the streets with her best friend, Derek. Together they use the city like a playground, a stage, and a never ending party. Into their lives enters Galia, a young Israeli woman carrying the promise of a better, cleaner way of living. A tribute to Punk underground films turns into a melodrama in "Saturn Returns", mirroring Lucy and Galia's modulating states of mind. Our and their look into each other's life and culture, becomes an investigation of empty facades. The film was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.
Saturn Returns
Die letzte Stadt
Heinz Emigholz
John Erdman, Susanne Sachße
An archaeologist and a weapons designer, who knew each other in a previous life as a filmmaker and a psychoanalyst, meet at an excavation site in the Negev desert and begin a conversation about love and war, which they continue in the Israeli city of Be’er Sheva. A series of encounters with alternating actors in different roles ensues, which leads the viewer through the cities of Athens, Berlin, Hong Kong and São Paulo. Among those appearing are: an old artist who meets his younger self; a mother who lives with her two grown-up sons, a priest and a policeman; a Chinese and a Japanese woman; a curator and a cosmologist.
The Last City
The Bad Breast; or, The Strange Case of Theda Lange
Bruce LaBruce
Susanne Sachße, Katharina Klewinghaus
A theatre project developed and directed by Bruce LaBruce. It was inspired by the life and theoretical writings of Melanie Klein, one of the psychoanalytic thinkers who interpreted Freud’s work after his death.
The Bad Breast; or, The Strange Case of Theda Lange
Otto; or, Up with Dead People
Bruce LaBruce
Jey Crisfar, Marcel Schlutt
A young zombie named Otto appears on a remote highway. He has no idea where he came from or where he is going. After hitching a ride to Berlin and nesting in an abandoned amusement park, he begins to explore the city. Soon he is discovered by underground filmmaker Medea Yarn, who begins to make a documentary about him with the support of her girlfriend, Hella Bent, and her brother Adolf, who operates the camera. Meanwhile, Medea is still trying to finish Up with Dead People, the epic political-porno-zombie movie that she has been working on for years. She convinces its star, Fritz Fritze, to allow the vulnerable Otto to stay in his guest bedroom. When Otto discovers that he has a wallet that contains information about his past, before he was dead, he begins to remember details about his ex-boyfriend, Rudolf. He arranges to meet him at the schoolyard where they met, with devastating results.
Otto; or, Up with Dead People
The Raspberry Reich
Bruce LaBruce
Susanne Sachße, Daniel Bätscher
Inspired by the Baader-Meinhof gang, a film about modern left Germans adopting the culture of extreme left-wing movements of the 1970s. East German dominatrix Gudrun leads a revolutionary gang of her own in Berlin. She has her men kidnap the son of a rich businessman in order to gain publicity. Claiming that heterosexuality is a social norm created to keep the people down, she forces her male minions to have sex with each other.
The Raspberry Reich
Ulrike's Brain
Bruce LaBruce
Gertrud Stammheim, Susanne Sachße
Referencing sixties B-movies like "They Saved Hitler’s Brain" and "The Brain That Would Not Die", Ulrike’s Brain finds Doctor Julia Feifer (Susanne Sachsse) arriving at an academic conference with an organ box. Inside the box: the brain of Ulrike Meinhof, which was saved by the authorities along with the brains of the three other leaders of the RAF after their deaths in Stammheim prison. Doctor Feifer can communicate telepathically with Ulrike’s brain, which is directing her to lead a new feminist revolution. To that end, she is searching for the ideal female body to transplant Ulrike’s brain into. At the same time, her arch-rival, Detlev Schlesinger, an extreme right-wing ideologue, arrives at the conference with the ashes of Michael Kühnen, the former German neo-Nazi leader and infamous homosexual who died of AIDS in 1989. When the two Frankenstein’s monsters of the extreme left and the extreme right meet, chaos ensues.
Ulrike's Brain
Bandaged
Maria Beatty
Janna Lisa Dombrowsky, Martine Erhel
Since his wife's death, Arthur, a peculiar and severe surgeon, cloisters his teen daughter Lucille inside a strange mansion. Desperate, Lucille tries to commit suicide and ends up with her face completely burned and bandaged. Arthur, with the assistance of his aunt, prepares a weird skin graft in order to give back Lucille a face, a face that resembles his beloved and deceased wife. To take care of her, the father then hires Joan, an attractive nurse with a somber past. Lucille and Joan start a forbidden and passionate love affair.
Bandaged
Pierrot Lunaire
Bruce LaBruce
Susanne Sachße, Bruce LaBruce
A young girl that regularly dresses as a boy falls in love and seduces a young girl that has no clue that her lover has the same sex. When the girl introduces 'her boyfriend' to her father he becomes skeptical and unmasks the fraud. Even though, strangely, the feelings of the girl persist without shifting, the father does not allow them to ever see the other again. Furious and delusional the 'boy' develops an adventurous plan to prove his true 'masculinity' to the father of his lover.
Pierrot Lunaire
Fucking Different
Isabella Gresser, Ades Zabel
Susanne Sachße, Marcel Schlutt
Lesbian filmmakers from Berlin were asked to make a short film about their idea of male gay love and sexuality and, vice versa, gay men were given the task of making a short film about lesbian sexuality and eroticism.
Fucking Different
