
Stuart Brisley
2021Ghost Dance
Ken McMullen
Pascale Ogier, Leonie Mellinger
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'
Ghost Dance
Resistance
Ken McMullen
Stuart Brisley, Marc Chaimowicz
This bold film invites sustained, deep engagement as it works through a steady stream of ideas around the theme of resistance, both in its political and psychological manifestations. Artists Stuart Brisley and Marc Camille Chaimovicz assume the roles of historical figures from the French Resistance, and eventually reach breaking point as theatrical limits are met and breached.
Resistance
Arbeit Macht Frei
Stuart Brisley
The film Arbeit Macht Frei (Work Makes Free) was conceived after the performance 'And For Today Nothing' which took place at Gallery House Goethe Institute in London in 1972. The words Arbeit Macht Frei were wrought in iron and placed on or above the entrance gates to some if not all Nazi Concentration Camps in the period of Nazi rule in Germany and its conquered territories between 1933 and 1945. The film is conceived as an analogous representation of the objection to genocide.
Arbeit Macht Frei
Cut
Stuart Brisley
Cut is the last of a series of works which were made in response to the notion of 'The Last Breath'. In this the last work the subject has become an expression of the relationship between acts of destruction and its inevitable interrelationship with its other, as in the Hegelian thesis/antithesis of the dialectic.
Cut
The Last Breath
Stuart Brisley
The video The Last Breath is the culmination of four performances under the title The Last Breath. The subject is derived from memories of two experiences of approaching death. The first was at Speakers Corner in 1967, when a speaker spoke of his immanent death. The other is derived from being the sole witness to a man burning to death in an East London park in 1998.
The Last Breath