Macha Méril
1940 (85 лет)Description above from the Wikipedia article Macha Méril,licensed under CC-BY-SA, full list of contributors on Wikipedia.
Belle de Jour
Luis Buñuel
Catherine Deneuve, Jean Sorel
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Belle de Jour
Vagabond
Agnès Varda
Sandrine Bonnaire, Macha Méril
Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.
Vagabond
Bolero: Dance of Life
Claude Lelouch
Robert Hossein, Nicole Garcia
The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.
Bolero: Dance of Life
Albatros, l'aventure cinématographique des Russes blancs à Paris
Yury Yarovenko, Alexandre Moix
Macha Méril
The film studio "Albatros" was founded in 1920 by Russian emigre filmmakers who had left Russia after the 1917 revolution. From 1920 to 1929 the studio "Albatros" and Russian filmmakers will literally upset the French cinema by bringing a specificity of their own. The phenomenal success of the films of the studio "Albatros" will give a second life to the French cinema then in crisis by propelling it to the first world ranking in competition with Hollywood. At the head of this small studio born one evening in February 1920 in Montreuil were two Russian producers: Joseph Ermolaev and Alexandr Kamenka.
Albatros, The Film Adventure Of The White Russians In Paris
We Won't Grow Old Together
Maurice Pialat
Marlène Jobert, Jean Yanne
Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.
We Won't Grow Old Together
A Simple Story
Emidio Greco
Gian Maria Volonté, Ennio Fantastichini
After many years, a retired diplomat returns to his native Sicily to visit an abandoned property and delve into family correspondence. But is it worth bringing up the past? A difficult Sicilian history against the backdrop of the mafia and drugs.
A Simple Story
Jean-Marc ou La vie conjugale
André Cayatte
Jacques Charrier, Marie-José Nat
The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.
Anatomy of a Marriage: My Days with Jean-Marc
