José Lifante
1943 (82 года)Firme Usted Aquí
Rodrigo Zarza
Fernando Albizu, Lourdes Bartolomé
Spain. Faced with the progressive aging of the population and the dire economic situation, the Administration launches an assisted euthanasia campaign aimed at so-called -unproductive beings-. Keen to get their hands on the amount of money set for the substitution of the old man, the Arevalo family will try to get rid of Granddad unaware that he has plans of his own.
Firme Usted Aquí
Sesión salvaje
Julio César Sánchez, Paco Limón
Javier Aguirre, Simón Andreu
A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.
Wild Session
National Heritage
Luis García Berlanga
Agustín González, Luis Escobar
After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.
National Heritage
El perro del hortelano
Pilar Miró
Emma Suárez, Carmelo Gómez
Diana, the Countess of Belflor, is an intelligent, impulsive woman in love with her secretary, Teodoro. He is engaged to Marcela, one of the countess's ladies in waiting. When the countess finds out about the engagement, driven by jealousy, she does everything possible to separate the lovers.
The Dog in the Manger
Los atracadores
Francisco Rovira Beleta
Pierre Brice, Manuel Gil
The film is divided into three parts: 'Restlessness', 'Violence' and 'Death', to explain the motivations, evolution and defeat of three young misfits from Barcelona who end up being robbers. The way of crime is an easy way for them: a boy and a worker without a job or benefit are induced by 'el Señorito', the son of a rich lawyer. Together they form a band. Hard and violent, the film is made with a clear intention of social criticism and research of realism, culminating in a final scene that raised quite controversial.
Los atracadores
Un papillon sur l'épaule
Jacques Deray
Lino Ventura, Claudine Auger
On a stopover in Barcelona, Fériaud Roland discovers a corpse in the hotel room next door. He wakes up in a strange clinic without remembering who brought him there. The doctor insists he hallucinated, but it's not long before he obtains evidence that it wasn't a dream.
Butterfly on the Shoulder
The Living Dead at Manchester Morgue
Jorge Grau
Cristina Galbó, Ray Lovelock
When a series of murders hit the remote English countryside, a detective suspects a pair of travelers when it is actually the work of the undead, jarred back to life by an experimental ultra-sonic radiation machine used by the Ministry of Agriculture to kill insects.
The Living Dead at Manchester Morgue
La siesta
Jorge Grau
Ovidi Montllor, Vicente Parra
The seemingly peaceful life of a little village located in the Spanish Levant hides the most turbid and ardent passions. Calixto, a repairman of television antennas, is required by the fiery midwives to quench their sexual instincts.
La siesta
Vámonos, Bárbara
Cecilia Bartolomé
Amparo Soler Leal, Cristina Álvarez
Ana is Catalan, daughter of a bourgeois family and works in a studio in advertising. She is 38 years old and has only lived with her husband, with whom she has a relationship cold but accepted by both. Although his family is opposed, decides to leave her husband and takes a vacation with her daughter Barbara, of 12 years, in order to leave behind all the past and start a freer life, with fewer ties, less conventional.
Let's Go, Barbara
