Graciela Dufau
2021
De la misteriosa buenos aires
Oscar Barney Finn, Alberto Fischerman
Paulino Andrada, Aldo Barbero
Three stories based on tales of the book by Manuel Mujica Lainez, ("El hambre", "La pulsera de cascabeles" y "El salón dorado".).) On scripts for the directors themselves and the collaboration of Ernesto Schoo.
De la misteriosa Buenos Aires
Funny Dirty Little War
Héctor Olivera
Federico Luppi, Ulises Dumont
A small revolution breaks out in a small Argentine town, as one group of Peronists calls they newly elected peronist a communist. The newly elected official enlists the aid of allies ranging from the town drunk to young peronists to help hold his post. What follows is a slapstick war with a serious message.
Funny Dirty Little War
Sofía
Alejandro Doria
Dora Baret, Alejandro Milrud
Set amidst a backdrop of political unrest and oppression in Argentina following the coup of the late 1980s, this impressive drama dwells upon a May-December love affair between a boy and a woman suspected of political subversion. When seventeen-year-old Pedro defiantly befriends political fugitive Sofia and provides her shelter, he creates a deep rift between himself, his family and his friends. Sofia is hunted because she was at one time in love with a Communist sympathizer. At first the relationship is purely platonic as Pedro helps her recover from a 23-day long flight that has left Sofia weak and starving for sleep. But as time passes, Pedro becomes increasingly involved with her and his schoolwork begins to suffer. Gradually he falls in love with her and she with him. But as the political situation grows more oppressive and the government steps up its search for subversives, the two begin making desperate plans to flee the country.
Sofía
Volver
David Lipszyc
Héctor Alterio, Graciela Dufau
An Argentine-executive of a multinational-returns to the country to close a factory. There he meets with his exgirlfriend and his best friend before the exile. The film presents an interpretation of the political and social situation in Argentina during the last years of the military government.
To Return
Gracias por el fuego
Sergio Renán
Lautaro Murúa, Víctor Laplace
The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.
Thanks for the Fire
