
Aurore Clément
1945 (80 лет)One Flew Over the Cuckoo's Nest
Miloš Forman
Jack Nicholson, Louise Fletcher
A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.
One Flew Over the Cuckoo's Nest
Apocalypse Now
Francis Ford Coppola
Marlon Brando, Robert Duvall
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Apocalypse Now
Lacombe, Lucien
Louis Malle
Pierre Blaise, Aurore Clément
In Louis Malle's lauded drama, Lucien Lacombe is a young man living in rural France during World War II who seeks to join the French Resistance. When he is rejected due to his youth, the resentful Lucien allies himself with the Nazis and joins the Gallic arm of their Gestapo. Lucien grows to enjoy the power that comes with his position, but his life is complicated when he falls for France Horn, a beautiful young Jewish woman.
Lacombe, Lucien
Le Juge Fayard dit le shériff
Yves Boisset
Patrick Dewaere, Aurore Clément
Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.
Judge Fayard Called the Sheriff
I Don’t Belong Anywhere : Le Cinéma de Chantal Akerman
Marianne Lambert
Chantal Akerman, Gus Van Sant
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
I Don't Belong Anywhere: The Cinema of Chantal Akerman
Nous sommes tous encore ici
Anne-Marie Miéville
Aurore Clément, Bernadette Lafont
Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.
We're All Still Here
Adieu
Arnaud des Pallières
Olivier Gourmet, Michael Lonsdale
Under threat in Algeria, Ismahel emigrates to France where he wants to live and work, with the hope that the people he's fleeing from will forget him the time he is away. In the letters that he writes to the daughter that he left behind in his homeland, he tells his own story in the guise of the biblical tale of Jonas and the Whale. Somewhere in France, an elderly farmer has just lost his young son. His three other children help him as much as they can to get through the trial of the funeral, but the ceremony is halted when the old man falls ill. The two stories unfold parallel to each other and are alternated.
Adieu
The Hatter's Ghost
Claude Chabrol
Michel Serrault, Charles Aznavour
A hatter in a provincial town (Michel Serrault) leads the life of a respectable citizen but is in fact a serial murderer. The only person to suspect this is his neighbour the tailor (Charles Asnavour).
The Hatter's Ghost
La vie lointaine
Sébastien Betbeder
Manuel Vallade, Nathalie Boutefeu
It is a mild winter and Martin has just settled into the isolated house that was his father's. One night, at the edge of the woods, a strange man called Haruki appears before him. He invites Martin to lose himself in the forest in order to encounter a stranger. The stranger comes in the form of Yoshido, a peculiar Japanese filmmaker, who, assisted by Mathilde, is preparing to shoot a film based on Haruki's unfinished novel La Vie lointaine.
La vie lointaine
Les Années 80
Chantal Akerman
Aurore Clément, Magali Noël
All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing. The story is set at a shopping mall where people audition for an upcoming show. Afterwards, they are seen going through the grueling routines of learning the music and rehearsing.
The Eighties
Le crabe tambour
Pierre Schoendoerffer
Jean Rochefort, Claude Rich
"Le Crabe Tambour" ("Drummer Crab") is the nickname for the mysterious central character, Willsdorff (Jacques Perrin), an Alsatian, whose doomed, out-of-date career is recalled through the tales of three naval officers currently serving aboard a French supply ship in the North Atlantic.
Drummer-Crab