T. P. Muthulakshmi
2021நாடோடி மன்னன்
M. G. Ramachandran
M. G. Ramachandran, P. S. Veerappa
Amidst a troubled kingdom that currently has no ruler, a revolutionary finds himself to be a lookalike of a prince who was to be crowned king. He takes his place but can he outsmart the real culprit?
Nadodi Mannan
Arivaali
A. T. Krishnaswamy
Sivaji Ganesan, Bhanumathi
Arivaali (Genius) is a 1963 Tamil language drama film written, produced and directed by A. T. Krishnaswami. The film features Sivaji Ganesan and P. Bhanumathi in lead roles. The film, had musical score by S. V. Venkatraman and was released on 1 March 1963.
Arivaali
கப்பலோட்டிய தமிழன்
B. Ramakrishnaiah Panthulu
Sivaji Ganesan, Savitri
Chidambaram Pillai, a revolutionary leader, starts the first shipping company in India. With the help of this company, he fights against the monopoly of the British over maritime trade out of India.
Kappalottiya Thamizhan
Thenmazhai
Muktha Srinivasan
Gemini Ganesan, K R Vijaya
Thenmazhai (Honey Rain) is a 1966 Tamil-language romantic comedy film directed by Muktha Srinivasan and produced by V. Ramasamy. Music by T. K. Ramamoorthy assets to the film. Gemini Ganesan, K. R. Vijaya and Major Sundararajan played lead with Nagesh, Cho, Sachu and Manorama played pivotal roles and provided comic relief.
Thenmazhai
வஞ்சிக்கோட்டை வாலிபன்
S. S. Vasan
Gemini Ganesan, Padmini
Vanjikkottai Valiban is a 1958 Indian Tamil-language romance film written by Gemini Studios story department consisting of K. J. Mahadevan, C. Srinivasan and Kothamangalam Subbu while the film was directed and produced by S. S. Vasan. It stars Gemini Ganesan and Vyjayanthimala in lead with Padmini, P.S. Veerappa, T. K. Shanmugam, Pasupuleti Kannamba, Vijayakumari, K. A. Thangavelu and M. S. Sundari Bai as the ensemble cast of the film.
Vanjikottai Valiban
Manohara
L. V. Prasad
Sivaji Ganesan, Girija
Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.
Manohara
