Koji Shima
1901 - 1986He directed over 90 films as a director and appeared in over 90 films as an actor. He was once married to the actress Yukiko Todoroki.
Hibari no komoriuta
Koji Shima
Hibari Misora, Sō Yamamura
Hibari no komoriuta (ひばりの子守唄, literally "Hibari's Lullaby") is a 1951 black-and-white Japanese film directed by Koji Shima. The movie is based on Das doppelte Lottchen, a novel later adapted as The Parent Trap.
Hibari no komoriuta
有楽町で逢いましょう
Koji Shima
Machiko Kyō, Kenji Sugawara
Aya successfully stages a fashion show in Osaka and in the train on her way home to Tokyo accidentally treads on a man's foot. The man whose name is Rentaro is not amused. Just afterwards she notices that he is reading a magazine which carries her picture which he crushes and throws under his seat. One of her customers in Tokyo is a pretty girl named Kana for whom she had designed a dress which at first seems quite satisfactory. But a few days later Kana brings it back. It seems her brother thinks it terrible. But when Kana brings the dress back she meets Aya's brother, Takeshi, with whom she becomes friendly and Takeshi gives her a new dress which he smuggles out of his sister's office. When Aya finds Kana's discarded dress and misses one belonging to another customer she goes to see Kana's brother, and to her surprise finds him to be the fellow whose foot she'd stepped upon in the train...
Chance Meeting
金色夜叉
Koji Shima
Jun Negami, Fujiko Yamamoto
Tokyo, 1890. Through avarice, a series of misunderstandings, and failures of courage, the engagement of Kan-ichi (a student) and Miya (the daughter of Kan-ichi's debtor) is canceled to enable Miya to marry Tomiyama, a wealthy banker's son. In bitter despair, Kan-ichi breaks with his friends, drops his studies, and declares he has ceased to be human. He apprentices to a money-lender, and he's soon ruthless and wealthy. Several years later, Miya's in misery, her husband mistreats her. She goes to Kan-ichi to beg forgiveness; he pushes her away. He's now pursued by Akagashi, herself a cold-hearted loan shark. Can anything free Kan-ichi's hard heart from the golden demon
The Golden Demon
御身
Koji Shima
Junko Kano, Ken Utsui
Akiko lives with her brother Toshio in suburban Tokyo working in different companies. One day, Toshio loses 500,000 yen which he was holding for his section chief, and as he is unable to return the money, tries to kill himself. Akiko determines to obtain the money by selling her chastity and soon becomes the mistress of Hasegawa, for 500,000 yen. Hasegawa gives her the money but does not make advances. Before she became Hasegawa's mistress Akiko was in love with Wake, who works in the same Company. Gradually Akiko begins to develop a liking for Hasegawa and in turn, her love for Wake gradually weakens...
Akiko
東京行進曲
Kenji Mizoguchi
Shizue Natsukawa, Takako Irie
A classic melodramatic love tragedy addressing social inequality in feudal Japan, depicted in Kenji Mizoguchi's typical style. The nostalgic scenes of 1920s Tokyo provides a valuable visual experience set against the background of the title song, "Tokyo March." (Sadly, only 24 minutes of the film now survive.)
Tokyo March
汗
Tomu Uchida
Koji Shima, Yasushi Yoshii
Sweat (1929) is a slapstick riff on tendency-film themes, as a bored young millionaire has his clothes stolen by a tramp; dressed in the tramp’s clothes, he has to accept work as a labourer. As the hero ends up building the mausoleum he had himself commissioned.
Sweat
裸屍痕
Koji Shima
Peter Chen Ho, Pat Ting Hung
Tu Chang (Peter Chen Ho)’s boss Yeh Kuang Lung (Liu Kei) thinks highly of him and is prepared to give him his daughter’s hand in marriage. Lan Fen (Pat Ting Hung), a company typist, is Tu’s sweetheart. She gets pregnant by him and threatens to tell the manager unless he’s prepared to do the right thing. Tu however is bent on marrying Jenny. When words fail to win Lan over, Tu murders her and hides her body in the wall of an abandoned villa. Tu weds Jenny but after his honeymoon finds that a lawyer named Huang Hsiung (Wang Hsieh) is investigating Lan Fen’s disappearance on behalf of her family.
Dear Murderer
安珍と清姫
Koji Shima
Raizō Ichikawa, Ayako Wakao
Princess Kiyo accidentally injures a local priest, Anchin, while on a hunt. She apologizes, but feels irritated by Anchin’s indifference to her in spite of her beauty. One night, while Anchin is recuperating in a hot spring, he is approached by Kiyo. She tells him that she is in love with him.
The Priest and the Beauty
