
Moria Casán
1949 (76 лет)Cruzadas
Diego Rafecas
Enrique Pinti, Moria Casán
Ernesto Pérez Roble is a tycoon, owner of a multimedia group, who when he dies leaves everything in the hands of his daughter Juana. But Camila Lamónica appears, his other daughter -unrecognized-, who owns a dancehall and wants half of her father's fortune.
Cruzadas
La Argentina de Tato
Alejandro Borensztein, Sebastián Borensztein
Leonardo Sbaraglia, Alfredo Casero
In a Mockuocumentary format, led by the personage represented by Leonardo Sbaraglia, in 2499 the research is presented - carried out by scientists from the University of Heidelberg, Germany, whose exposition is in charge of Helmut Strasse, founder of the first school of Argentinology - about the remote existence of Argentina, an unknown country of great potential inexplicably disappeared from the face of the Earth.
Tato's Argentina
Foto estudio Luisita
Sol Miraglia, Hugo Manso
Luisita Escarria, Rosita Escarria
The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…
Luisita Photo Studio
Las mujeres son cosa de guapos
Hugo Sofovich
Alberto Olmedo, Jorge Porcel
In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change allegiances when they meet the lovely Mercedes and La Mendocina, victims of Malatesta and his gang.
Las mujeres son cosa de guapos
Amante para dos
Hugo Sofovich
Alberto Olmedo, Tato Bores
Mauricio and Alberto are friends and work in an insurance company. Apparently they have very dissimilar personalities, since Alberto is a hummingbird who lives courting as many women as he can and Mauricio is serious and lover of his wife. In reality, Mauricio maintains a hidden relationship with a vedette named Monica, who constantly puts him in trouble when he asks him to separate from his wife and go live with her. Alberto, aware of this, proposes to Mauricio that he pass his lover to him, and Monica becomes his stable lover. Mauricio and Alberto's women become suspicious and everything gets complicated, and they come to the conclusion that keeping Monica is very dangerous for both of them.
Amante para dos
Los caballeros de la cama redonda
Gerardo Sofovich
Alberto Olmedo, Jorge Porcel
Alberto, Jorge, Ricardo and Tristan are employees of a shoe store, all are married and share the friendship also between their wives. The 4 friends, faithful to the rogue style of Buenos Aires, go out of their way to have love affairs with the beautiful customers of the shoe store, and for that purpose one day they decide to rent, secretly, an apartment to use as a "bulín". The problems begin from then on, as everyone wants to be the first to release it and then, successively, take turns for their adventures. As is to be expected, it does not take long for the first entanglements to appear, while their wives seem to begin to suspect the adventures of these four typical Buenos Aires chantas.
The Knights of the Round Bed
Así no hay cama que aguante
Hugo Sofovich
Jorge Porcel, Moria Casán
Horacio and Claudio are two friends who plan to spend a fun weekend with two young ladies. Settling into the home of Aunt Lucrezia, a millionaire who is traveling through Europe, a lender shows up and ruins his plans.
Así no hay cama que aguante
El gordo catástrofe
Hugo Moser
Jorge Porcel, Moria Casán
Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital. Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).
El gordo catástrofe
Un terceto peculiar
Hugo Sofovich
Jorge Porcel, Susana Giménez
A director of XXX films entrusts his assistant with the rental of a house for the filming with an international star. This, confused with the arrival of the star, preys the house to a friend to impress the groom
Un terceto peculiar
Expertos en pinchazos
Hugo Sofovich
Alberto Olmedo, Jorge Porcel
Alberto and Jorge are employees of a pharmacy. One day, by mistake, they give a client a bottle of poison in exchange for a medication that she had to start ingesting 48 hours later. Realizing this, they decide to go out and look for her with the only data they have: her first name, her striking clothing, and that she was driving an imported motorcycle. So they launch into a crazy race against time touring the fashionable places of the Buenos Aires night, helped by a woman who claims to know the mysterious girl on the motorcycle.
Expertos en pinchazos
Encuentros muy cercanos con señoras de cualquier tipo
Hugo Moser
Alberto Olmedo, Jorge Porcel
Alberto and Jorge are two comedians, who before the possibility of making money with a business agent, agree to play the role of executives of a fictitious company, in order to appear prosperity before possible foreign buyers of players. As the business agent instructs them to present themselves as married, Alberto and Jorge propose two co-workers to represent the indicated role.
Encuentros muy cercanos con señoras de cualquier tipo
A los cirujanos se les va la mano
Hugo Sofovich
Alberto Olmedo, Susana Giménez
Two orderlies pretend to be surgeons to impress two young doctors and conquer, through several scenarios. Finally, they are discovered when they had to operate on a mafia boss to remove a bullet.
A los cirujanos se les va la mano
Lava
Ayar Blasco
Sofía Gala Castiglione, Janeane Garofalo
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city.
Lava