Jack La Rue
1902 - 1984He moved to Hollywood, where he appeared in numerous films. However, Scarface was not one of them. La Rue stated in a newspaper article that, after four days, Hawks had to replace him with George Raft because La Rue was taller than Muni and had a more powerful voice. Later, however, Raft turned down the role of the despicable villain in The Story of Temple Drake, fearing it would damage his screen image, so the part went to La Rue. Sometimes mistaken for Humphrey Bogart, he played thugs and gangsters for the most part. However, director Frank Borzage atypically cast him as a priest in the 1932 version of A Farewell to Arms simply because, according to newspaper columnist Hubbard Keavy, he was "tired of seeing conventional characters". La Rue stated he turned down a role in The Godfather and many parts in the television series The Untouchables because of the way they portrayed Italian-Americans.
La Rue died of a heart attack at Saint John's Health Center in Santa Monica, California, at the age of 81. He was buried in Holy Cross Cemetery, Culver City, California.
I Am a Fugitive from a Chain Gang
Mervyn LeRoy
Paul Muni, Glenda Farrell
A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.
I Am a Fugitive from a Chain Gang
Captains Courageous
Victor Fleming
Freddie Bartholomew, Spencer Tracy
Harvey, the arrogant and spoiled son of an indulgent absentee-father, falls overboard from a transatlantic steamship and is rescued by a fishing vessel on the Grand Banks. Harvey fails to persuade them to take him ashore, nor convince the crew of his wealth. The captain offers him a low-paid job, until they return to port, as part of the crew that turns him into a mature, considerate young man.
Captains Courageous
Complicated Women
Hugh Munro Neely
Jane Fonda, Frances Dee
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
Complicated Women
Charlie Chan in Panama
Norman Foster
Sidney Toler, Jean Rogers
Charlie impersonates an employee of the U.S. government to foil an espionage plot which would destroy part of the Panama Canal, trapping a Navy fleet on its way to the Pacific after maneuvers in the Atlantic.
Charlie Chan in Panama
Road to Utopia
Hal Walker
Bing Crosby, Bob Hope
While on a ship to Skagway, Alaska, Duke and Chester find a map to a secret gold mine, which had been 'stolen' by thugs. In Alaska to recover her father's map, Sal Van Hoyden falls in with Ace Larson, who secretly wants to steal the gold mine for himself. Duke, Chester, the thugs, Ace and his henchman chase each other all over the countryside—for the map.
Road to Utopia
The Story of Temple Drake
Stephen Roberts
Miriam Hopkins, William Gargan
The coquettish granddaughter of a respected small-town judge is stranded at a bootleggers’ hide-out, subjected to an act of nightmarish sexual violence, and plunged into a criminal underworld that threatens to swallow her up completely.
The Story of Temple Drake
