Sachin Pilgaonkar
1957 (68 лет)Starting as a footballer in the Marathi film, Ha Majha Marg Ekla (1962), he went on to act in around 65 films as a child artist, before switching to adult roles, and giving hits like Geet Gaata Chal (1975), Balika Badhu (1976), Ankhiyon Ke Jharokhon Se (1978) and Nadiya Ke Paar (1982) as a lead actor. He has worked in Hindi, Marathi and also in Bhojpuri cinema, and has acted, produced and directed successful comedy shows on Indian television, including Tu Tu Main Main (2000) and Kadvee Khatti Meethi. Besides that, he also directed several hit Marathi films starting with Mai Baap (1982), Navri Mile Navryala (1984), Ashi Hi Banwa Banwi (1988), Amchyasarkhe Aamich (1990) and Navra Mazha Navsacha (2004).
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शेवटचा मालुसरा
Ramesh Deo, Shrikant Moghe
An unusual Marathi war movie which mobilises and updates a historical/regional chauvinism associated with 17th-C. Maratha emperor Shivaji. Major Subhanrao Malusare, a direct descendant of Shivaji’s legendary lieutenant Tanaji Malusare, continues a proud family tradition by winning the Victoria Cross as an Allied officer fighting against Italian fascists in WW2. When he dies, his wife Savitri (Uma) vows that their son will never join the army. However, during the India-China conflict (1962), when her son’s friend is killed, she enjoins her son to fight for the nation even though the boy’s death would mean the end of the ancient clan. The film updated the rousing sentimentalism associated with Shivaji historicals into the present via songs such as He bharatiyano aika balidan katha veeranchi.
Shevatcha Malusara
Ashi Hi Banwa Banwi
Sachin Pilgaonkar
Ashok Saraf, Sachin Pilgaonkar
Dhananjay makes Parshuram and Sudhir to act as his and his brothers wife as the landlady only wants married couples. What will happen when the landlady will come to know the truth and how will they all face her as she is very lovable to all.
Ashi Hi Banwa Banwi
कट्यार काळजात घुसली
Subodh Bhave
Shankar Mahadevan, Amruta Khanvilkar
Katyar Kaljat Ghusli is a 2015 Marathi film based on a play by the same name. Directed by Subodh Bhave, the film stars Sachin Pilgaonkar, Shankar Mahadevan, and Subodh Bhave in lead roles. The film marks the acting debut for Mahadevan and directorial debut for Bhave. The original play premiered in 1967 in Mumbai, where Hindustani classical vocalist Vasantrao Deshpande played one of the protagonists. In 2010, the play was relaunched with protagonists essayed by Rahul Deshpande, grandson of Vasantrao Deshpande and singer Mahesh Kale. The film's music is composed by Shankar–Ehsaan–Loy, and retained some of the songs from the original play composed by Jitendra Abhisheki.
Katyar Kaljat Ghusali
आत्मविश्वास
Sachin Pilgaonkar
Sachin Pilgaonkar, madhu apte
Rajni Tendulkar gets married to a printing press owner, A.A. Mangalkar, and has her name changed to Aarti. Both become parents to 3 children, Abhay, Asavari, and Ajinkya. Then Mangalkar's press burns down, and he is forced to work for an abusive employee, Raikar, who humiliates him. He, in turn, turns his anger on Aarti, the children learn from their father and become abusive toward her. The abuse multiplies after Abhay gets married to Meena, who orders her mother-in-law around. When Meena forces Abhay to convince his father to sell their Shivaji Park flat and move to Kandivli, Aarti opposes this, but is told to sign the relevant papers. Shock and surprises are in store for them when Aarti not only refuses to sign the papers but starts behaving strangely - as though she has been possessed by a spirit.
Aatmavishvas
नदिया के पार
Govind Moonis
Leela Mishra, Sachin Pilgaonkar
Chandan lives with his elder brother and uncle. One day while going across the river to get some medications for his uncle, he meets with Gunja, and both eventually fall in love. Fate makes Gunja's sister, Roopa, get married to Chandan's brother. Roopa dies in a freak accident. The family decides that Chandan's brother should get married again, and they propose marriage to Gunja. Will Chandan sacrifice his love for his nephew, and brother? Will Gunja accept her brother-in-law as her husband?
Nadiya Ke Paar
Shri Krishna Leela
Homi Wadia
Heena Kumari, Jayshree Gadkar
Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.
The Doings of Lord Krishna
भुताचा भाऊ
Sachin Pilgaonkar
Sachin Pilgaonkar, Ashok Saraf
A simple man killed in his village turns into ghost and comes to the city find his long lost mother and brother and wants his brother to come along with him to revenge his killers but the killers have laid some different trap.
Ghost's Brother
Geet Gaata Chal
Hiren Nag
Sachin Pilgaonkar, Sarika
Durga Babu, and his wife, Ganga, comes across Shyam, an orphan, who sings and dances on special occasions, and decide to take him home. Shyam meets with their daughter, Radha, and she slowly falls in love with him, but he thinks that she just wants to be friends. In his eyes, Shyam wants to be a free person, not tied down to anyone or anything, and would like to spend the rest of his life wondering, singing, and dancing. When he finds out that the family intend to get him married, he likens his plight to that of a caged bird, and flees, breaking Radha's heart. Will Shyam ever return? What impact will this have on the family?
Geet Gaata Chal
Majhli Didi
Hrishikesh Mukherjee
Meena Kumari, Dharmendra
Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.
Majhli Didi
