Duccio Tessari
1926 - 1994He later touched different genres and worked in RAI TV, directing some successful TV-series. He died of cancer in Rome, at 68. He was married to actress Lorella De Luca.
The Return of Ringo
Duccio Tessari
Giuliano Gemma, Lorella De Luca
Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!
The Return of Ringo
La morte risale a ieri sera
Duccio Tessari
Frank Wolff, Raf Vallone
A chief police inspector investigates the disappearance of a 25-year-old woman, the daughter of a lonely widower. After she turns up dead, the cops race to find the killers before the grieving father does
Death Occurred Last Night
Il fornaretto di Venezia
Duccio Tessari
Jacques Perrin, Michèle Morgan
Il Fornaretto di Venezia (US TV title: The Scapegoat) is a 1963 Italian film directed by Duccio Tessari who co-wrote screenplay with Marcello Fondato, based on novel by Francesco Dall'Ongaro. It tells the story of 16th century's Venice where a young worker is sentenced to death on the suspicion of attacking a noble.
The Scapegoat
Zorro
Duccio Tessari
Alain Delon, Ottavia Piccolo
A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Hortensia in their fight for justice against Huerta and his soldiers.
Zorro
The Bloodstained Butterfly
Duccio Tessari
Helmut Berger, Giancarlo Sbragia
When a young female student is savagely killed in a park during a thunderstorm, the culprit seems obvious: TV sports personality Alessandro Marchi, seen fleeing the scene of the crime by numerous eyewitnesses. The evidence against him is damning... but is it all too convenient? And when the killer strikes again while Marchi is in custody, it quickly becomes apparent that there's more to the case than meets the eye...
The Bloodstained Butterfly
Una voglia da morire
Duccio Tessari
Raf Vallone, Annie Girardot
Two married women on vacation decide to see who the better seductress is. When the local authorities investigate the death of a local prostitute, their husbands do what they can to avoid trace of scandal and any implication that their wives are involved. Cracks in their relationships are revealed as is the hedonism and hypocrisy amongst the bourgeoise.
Dangerous Pleasures
Meglio Vedova
Duccio Tessari
Virna Lisi, Peter McEnery
Tom Proby is a representative from a British engineering firm sent to Sicily to convince the landowners (all in the Mafia) to allow his company to build an oil refinery on some waterfront real estate. Proby talks to the mob bosses about the project, but disagreements between different bosses complicate his efforts.
Better a Widow
¡Viva la muerte... tua!
Duccio Tessari
Franco Nero, Eli Wallach
A spaghetti western in which three adventurers team up during the Mexican Revolution. Mary O'Donnell, a radical Irish journalist, wants to foment a peasant revolt in Mexico. She enlists the help of a seedy bandit, Lozoya, by saving him from a death sentence in Utah. They meet a man calling himself Prince Dmitri Vassilovich Orlowsky, who claims to be a Russian prince, not to mention a man of the cloth. Wallach pretends to be a Mexican folk hero. The trio crosses the border, the two men seeking a cache of gold while O'Donnell pursues her revolution.
Don't Turn the Other Cheek
La madama
Duccio Tessari
Christian De Sica, Carole André
In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the girl's name really is Angelo). Problems arise too, with his direct supervisor, who also happens to be a relative. But Vito puts up with it all and manages to stay his usual calm and polite self, even when he risks getting killed.
La madama
