Edmund Lowe
1890 - 1971Edmund Dantes Lowe (March 3, 1890 – April 21, 1971) was an American actor. His formative experience began in vaudeville and silent film. Edmund Lowe's career included over 100 films in which he starred as the leading man. He is best remembered for his role as Sergeant Quirt in the 1926 movie, What Price Glory. (Lowe reprised his role from the movie in the radio program Captain Flagg and Sergeant Quirt, broadcast on the Blue Network September 28, 1941 - January 25, 1942, and on NBC February 13, 1942 - April 3, 1942.) Making a smooth transition to talking pictures he remained popular but by the mid 1930s he was no longer a major star although he occasionally played leading man to the likes of Jean Harlow, Mae West, and Claudette Colbert. He remained a valuable supporting actor at the major studios while continuing in leads for such "Poverty Row" studios as Columbia Pictures where his skills could bolster low budget productions. He also starred in 35 episodes of the 1950s television show, Front Page Detective and appeared as the elderly lead villain in the first episode of Maverick opposite James Garner in 1957. Description above from the Wikipedia article Edmund Lowe, licensed under CC-BY-SA, full list of contributors on Wikipedia
Wife in Name Only
George Terwilliger
Mary Thurman, Arthur Housman
Wealthy orphan Philippa L'Estrange loves handsome Norman Arleigh and is confident of marrying him until he discloses that he has only brotherly affection for her. Determined to have revenge, Philippa introduces Arleigh to Madeline Dornham and reveals on their wedding day that Madeline, his bride, is the daughter of the man who killed his mother. In the end it is learned that Madeline is Mrs. Dornham's daughter from a previous marriage, not the daughter of a criminal.
Wife in Name Only
Dinner at Eight
George Cukor
Marie Dressler, John Barrymore
An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.
Dinner at Eight
Men on Call
John G. Blystone
Edmund Lowe, Mae Clarke
Railroad engineer Chuck Long finds the showgirl he's about to marry was the subject of scandal and swears off women. He joins a coast guard unit stationed at a lighthouse, and one day must rescue a drowning girl that turns out to be his old fiancée.
Men on Call
One Increasing Purpose
Harry Beaumont
Edmund Lowe, Lila Lee
Stars Edmund Lowe as WWI veteran Slim Paris. Though most of his comrades died in battle, Paris returns home with nary a scratch. This convinces him that his life has a "greater purpose" in the scheme of things, so he sets about to find that purpose.
One Increasing Purpose
Part Time Wife
Leo McCarey
Edmund Lowe, Leila Hyams
The story concentrates of neglectful husband Jim Murdock (Edmund Lowe) and his frustrated wife Betty (Leila Hyams). For lack of anything else to do, Betty takes up golf, soon achieving professional status. Meanwhile, Jim's doctor advises him to start playing golf as an outlet for his frustrations. Sure enough, Jim and Betty are reteamed on the links, and all is well -- for everyone except Betty's erstwhile beau Tommy Milligan (Tom Clifford)
Part Time Wife
East Lynne
Emmett J. Flynn
Alma Rubens, Edmund Lowe
This most famous of Victorian melodramas was more than half a century old, and had already been filmed several times when it came to the screen once again in 1925. Director Emmett J. Flynn had an all-star cast and kept close to the original story.
East Lynne
Secrets of a Nurse
Arthur Lubin
Edmund Lowe, Helen Mack
This Universal programmer was based on a Collier's Magazine story by journalist Quentin Reynolds. This story in turn was ostensibly based on a true incident, in which a gangster "returned from the dead" to save an innocent young man from the electric chair. The nurse of the film's title is Katharine McDonald, who falls in love with her prizefighter-patient Lee Burke as he recovers from a beating received in a fixed prizefight. Katharine must fend off the advances of criminal attorney John Dodge, another patient who also loves her and becomes jealous of Lee. But when Lee is framed for the murder of his disgruntled manager, Slice, by a henchman of the fight-fix leader, Joe Largo, Dodge takes on his defense and works with Katherine to discover the real killer. Convicted and sentenced to death, Burke is about to walk the "last mile", as Katharine encourages mortally wounded Largo to a deathbed confession.
Secrets of a Nurse
What Price Glory
Raoul Walsh
Edmund Lowe, Victor McLaglen
U.S. Marine sergeants Quirt and Flagg are inveterate romantic rivals on peacetime assignments in China and the Philippines. In 1917, W.W. I brings them to France, where Flagg, now a captain, takes up with flirtatious Charmaine, inn-keeper's daughter. Of course, Quirt has to arrive and spoil his fun. But the harsh realities of war and the threat of a shotgun marriage give the two men a common cause...
What Price Glory
Seven Sinners
Albert de Courville
Edmund Lowe, Constance Cummings
Ed Harwood, a wisecracking private investigator from New York, discovers a crime at an hotel in Nice during a carnival. The unraveling of the mystery which lies behind will lead him and Caryl Fenton, a female insurance agent, who will become his companion, first to Paris, then to London, later through the English countryside and finally to Southampton, in search of a criminal train wrecker.
Seven Sinners
Dressed to Kill
Irving Cummings
Edmund Lowe, Mary Astor
A mob boss' gang gets suspicious about their boss' new girlfriend, a beautiful young girl who doesn't seem to be the type who'd hang out with gangsters. They're not quite certain if she's actually a police agent or just a "groupie".
Dressed to Kill
Guilty as Hell
Erle C. Kenton
Edmund Lowe, Victor McLaglen
Richard Arlen is the convicted murderer and Adrienne Ames his sister who believes in his innocence. We see the murder and the framing set-up at the beginning of the film, so there’s no mystery for the audience to solve. Just the pleasure of watching an intricate cat-and-mouse game, with the murderer one step ahead of his pursuers until the final, tense confrontation.
Guilty as Hell
